Uit de collectie vreemde figuren uit de electronische geschiedenis: Ursula Bonger
Ursula Bogner ‘Rhythmus 80’
‘Who is Ursula Bogner? A forgotten mid-century German genius, pharmacologist by day, pioneering musique concrète secret synth twiddler by night? A projection of our hopes and dreams of having a mom who’s secretly into creating crazy electro tunes and something called “orgonomy,” where solar energy is harnessed and used to heal stuff? Or an internet construction by Berlin-based Faitiche Records founder/all-around glitch lover Jan Jelinek, whose label is releasing the lady’s latest this very day?
Whatever you want to believe, the super-deluxe-lookin’ Sonne=Blackbox comes out on Faitiche as of… NOW. It’s another big batch of Bogner, arriving three years after 2008’s Recordings 1969-1988, which made out Eureka! list that year. So what do you get besides the chance to convert your American dollars into trusty Euros and a Scooby Doo-sized portion of swirling mystery? Well, in the tradition of all good, sorta obscure, sorta fancy releases, you get a booklet. But not just any booklet! This one is 126 glorious pages of dazzling drawings, fantastic photographs, and something called “compositional instructions” which didn’t really work with an alliterative adjective. Just think: that’s 8.4 pages of ART for each of the 15 broadcast-in-SPACE-style tracks! You do the art math. Mystery or no, this one adds up to an eccentric deutsche electronic music head’s dream come true.‘